As the album’s subtitle, “Piano and Flute Meditations” indicates, the music blends Peter’s elevating piano with the soothing sounds of Michael on a variety of Native American flutes. In describing the recording and creative process, Michael shares: “Each track was a total free improvisation - no rehearsals - no pre-planning. We just decided on what key to play in and started recording. We both have a similar process of recording - by allowing the music to emerge out of silence - letting go of the logical strategic mind, and allowing the spirit of the moment to guide us. This description certainly proved to be accurate as the album opened with the title track. It is indeed quite spacious and meditative and took on a particular significance for me as I listened and reflected on the gossamer veils that separate life and death, which is a focal point in the inspiration behind this album. In my full-length review of this album on Music and Media Focus, I covered this fascinating back-story in depth.
The next track, “Radiant Dawn,” has more motion, driven by Peter’s rolling arpeggios that flow like a river with Michael’s higher pitched Native flute soaring above it. The sound of the low bass flutes sometimes have a similar role and effect as a drone instrument like a didjeridoo, as it does on the gentle and expansive “First Breath.” Peter’s piano playing here is absolutely gorgeous and I marveled at his ability to improvise such evocative melodies in the moment. There are a number…