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A visual tour of gratitude…

We were honored at the 2012 Wake Up Festival to have with us film maker Louie Schwartzberg, to introduce and show us his short piece on gratitude. While this life has so many challenges, uncertainties and, as the Buddha has taught, will inevitably involve suffering and the breaking-open of our hearts, there is an underlying preciousness here. Just by looking up into the sky or into the eyes of someone we love, or listening to the birds, or watching a flower bloom, we enter into timelessness and eternity. Something more than meets the eye is happening here… the miracle that is this life is waiting around every corner, is part of every conversation, and is unfolding throughout every minute of every day.

Enjoy this lovely short film on the power of gratitude and the preciousness of this one sweet life, narrated by our dear friend, Brother David Steindl-Rast:

Meet the Author of Good Morning Yoga

The Author
Mariam Gates holds a master’s degree in education from Harvard University and is the creator of Kid Power Yoga. She is the author of the bestselling Good Night Yoga and many other yoga-related books for children. Mariam’s favorite yoga pose is Tree. She lives in Northern California. For more, see mariamgates.com.

Good Morning Yoga Book Cover

The Book

Good Morning Yoga is a board book version of the bestselling picture book. Targeted for the littlest yogis, ages 0–4, it is the perfect introduction to simple yoga poses at an early age, encouraging children to enjoy moving their bodies, using their imaginations, and learning a new skill.

 

 

 

 

 

The-Monster-at-the-End-of-This-Book

What was your favorite book as a child? 

 

My absolute favorite book as a child was The Monster at the End of This Book by Jon Stone and illustrated by Michael Smollin. (Though on the cover, it really just gives credit to “lovable, furry old Grover.”)

 

It is the original “interactive” book. As a child, the fact that Grover was speaking directly to me, the reader, and that I was in on (and affecting) the progression of the story was nothing short of magical. It was my first experience of feeling amazed, surprised, and delighted by what could happen in the pages of a book—a feeling that has obviously never left.

All of my books are “interactive,” and my hope is that children feel that kind of connection and magic when they read them. I want young readers to be transported and to feel how each word and each image was created as a gift for them to enjoy.

 

Has your book taken on a new meaning in the world’s current circumstances? Is there anything you would have included in your book if you were writing it now?

I have loved hearing over the years about how teachers and parents incorporate Good Morning Yoga: A Pose-by-Pose Wake Up Story into morning meetings and family routines. But once we went into shelter-in-place in 2020, I started having daily and weekly emails and messages from people around the country. I’ve had the honor of hearing personal stories from teachers who are still using it, but now on Zoom, and parents who use the flow and the visualization at the end as transitions and breaks in their homeschooling schedules. In the midst of all of this separation, it has been an unbelievable gift to be connected to people through the book.

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Photo courtesy of Misha Vayner

 

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Photo courtesy of MOJA YOGA

 

What is something that doesn’t make it into your author bio?

In my 20s and 30s I was a hand model! It was an incredibly fun (and lucrative) job. I had always received compliments on my hands, so in graduate school, when I did not have time for a regular employment schedule, I started hand modeling on the side. Mariam hand model

This was back when most things were done in person, so I made an appointment for an interview with Ford Modeling and brought in a set of “handshots.” They signed me on the spot, and I spent several years working in commercials and print.

 

 

 

 

 

 

Good Morning Yoga Book Cover

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Winter’s Reminder to Slow Down and Sink into Deep Re...

My constant reminder to myself all winter is to not push too hard. The essence of the season reminds me that I don’t have to document every aha moment that happens in these cold, quiet months. I don’t have to share every discovery or turn every insight into a poem. In the winter, I’m much more inclined to commune with the Divine and let those conversations remain private. This is the influence of winter, the way it teaches me to shift from an overly productive participant’s pace into a person with a battery that needs to plug in and recharge gradually in order to rise up refreshed for the act of creation.

Rest isn’t easy for us, and we have to be intentional about it. How will you ensure that rest is a central part of your winter schedule? A lot can be accomplished in these sleepy months of contemplation, but if you position rest as the central focus of your routine, you’ll emerge from this season with more endurance for the working days ahead of you.

What does an ideal period of rest look like for you?

Unwinding looks different for everyone, and you’ll need to spend some time making a list of ways you can actualize rest in your daily winter life.

Maybe once a week you wake up and immediately take a hot bath. Maybe you watch a movie in the middle of the day. Maybe you get under your electric blanket and read a book for an hour after lunch. Resting usually requires doing (or not doing) something that will break your routine of constant output. How can you convince yourself to pause and be leisurely?

You’ll have to choose activities that will force you to slow down. You’ll have to remind yourself that resting will expand your creative practice in the long run, even if it seems like the opposite is happening in the moment. Experiment with what works best for you.

Prompts from the Planet

What do plants and other animals do in the winter?

They go dormant. Seeds wait, inactive in the dark soil or stored away, safe and dry.

They harden, keep warm, and get slow. Some stop growing. Others sleep and dream.

Below ground, everything works anew, protective and focused on survival.

The plant world pauses its creation and changes its approach, waiting for the sun to return.

Remember, we are part of the same cycle.

Remember to ask yourself: What is the natural world up to right now? How does it include me?

This is an adapted excerpt from A Year in Practice: Seasonal Rituals and Prompts to Awaken Cycles of Creative Expression by Jacqueline Suskin.

Jacqueline Suskin has composed over forty thousand poems with her ongoing improvisational writing project, Poem Store. She is the author of six books, including Help in the Dark Season. Her work has been featured in the New York Times, the Atlantic, and Yes! magazine. She lives in Northern California. For more, see jacquelinesuskin.com.

Author photo © James Adam Taylor

Rha Goddess: True Ambition: Shine Bright. Stand Tall.

What comes up for you when someone calls you ambitious? Are you offended? Appreciative? A little of both? What about the word “sacrifice”? Whether it’s in your career or your personal life, where do you draw the line when it comes to deferring your own wants, needs, and desires in service of someone else’s agenda? In this podcast, Tami Simon speaks with author and entrepreneurial soul coach Rha Goddess about her new book, Intentional Ambition, addressing these life-changing questions. 

Tune in for an inspiring, provocative, and in many ways healing conversation that digs into: a more balanced definition of “success”; wounded ambition and the fear of taking risks; how our resistance to disappointment creates disappointment; the dilemma of “living on halftime”; restoration after a breakdown; distorted determination; sacrifice and suffering; reconnecting with our humanity and building a society where everyone thrives; the “belly full” personality type; the five ways ambition can be wounded—and the five healing “redemptions”; systemic roadblocks and overcoming that which thwarts us on our path; reclaiming—the first step in renegotiation; refusing to buy into the “scare of scarcity”; embracing the truth of our wholeness and worthiness; rewriting your inner narrative; and more.

Note: This episode originally aired on Sounds True One, where these special episodes of Insights at the Edge are available to watch live on video and with exclusive access to Q&As with our guests. Learn more at join.soundstrue.com.

Bigger Isn’t Always Better (and Other Cultural Myths...

Bigger Isn't Always BetterSome of our beliefs aren’t even ours. Like old wives’ tales passed down through generations or reflected back to us through society, we inherited certain cultural and familial narratives, adopted them, and left them unquestioned as “Truth.” Sometimes these inherited narratives and beliefs manifest as unquestioned traditions. For example, when making the Thanksgiving turkey, my friend’s mother always cut the breast of the bird off and roasted it separately. This process was embedded in my friend’s view of “how to cook a turkey.” When she moved to New York and began hosting her own Thanksgivings, she also sliced the top off the turkey and cooked it separately. Naturally. 

One year a guest asked her why she didn’t cook the turkey whole, which got her to thinking. She didn’t actually know why. It’s just the way it had always been done. So she called her mother to ask about the tradition: Why do we cut the tops off our turkeys? Her mother replied that she had always taken the top off because her mother had always taken the top off; it’s just the way she had learned how to cook a turkey. Naturally curious as to where this learned behavior all began, her mother called her mother, my acquaintance’s grandmother, and asked: Why do we cut the tops off our turkeys?

The grandmother, stumped, thought for a long, hard minute. “Oh,” she remembered, “the oven in my very first apartment was too small to fit an entire turkey, so I had to cook it with the top cut off.” Sixty years later, in a city across the country, my acquaintance was still cooking turkeys as a result of an oven that was too small. This is how inherited narrative works.

Here are some of the narratives that I inherited over the years, in order from most helpful to least: You can be anything that you want to be. Money isn’t very important. It is what it is, and it can’t be changed. Men prefer pretty over smart. Asking for help means you’re weak and needy. These are the ones that I’ve managed to tease out; I’m sure there are plenty more operating in the background that I can’t see.

Part of developing a wholesome or Beneficial View is identifying the stories that we live by, where they came from, and, perhaps most importantly, whether or not they are helpful on the path of waking up to our worthiness. Shariputra, one of the Buddha’s chief disciples, described Beneficial View as the practice of identifying which of our views spring from beneficial beliefs and which spring from harmful beliefs, and then choosing which to nourish and cultivate. Sometimes this also means looking at the views of the culture that we live in.

A few times every year, I host group coaching programs for a rather large online training institute with a global reach, drawing students from a dozen countries, primarily women of varying ages. These groups offer an encouraging environment in which we can speak openly about our fears and hesitations. Over the past decade, working as a coach has revealed to me just how many of us feel a chronic sense of falling behind and a nagging suspicion that we’re not quite _________ enough. You can fill in the blank here with your own particular flavor of not-enough-ness. Not educated enough, smart enough, good-looking enough, likable enough, thin enough . . . You get the picture. A consistent element of these groups has been a gobsmacking number of women sharing that they view their capabilities as insufficient or lacking. Sometimes this feeling extends to the way that they view themselves as people. It’s said that if one fish washes up on the shore, the scientist will call it what it is: a dead fish. Nothing of note, really. However, if hundreds of fish wash up on the shore, the biologist won’t look to the fish for answers. They’ll test the water that the fish are swimming in. So what’s up with the water that we all seem to be swimming in?

In the Western hemisphere, there is a deeply embedded narrative of scarcity that is nearly invisible. I don’t know about you, but I clearly remember playing the childhood game of musical chairs. It begins as a cheerful romp around the circle, with kids squealing and running to nab a chair once the music stops. As the game progresses, however, the stakes get higher. The chairs begin to disappear. The slowest, smallest, and most accommodating kids get disqualified. And the fastest, most aggressive kids advance amidst the dwindling resource of chairs. Good, clean childhood fun. Also, a wonderful way to implicitly teach kids this prevailing myth of scarcity: There is simply not enough to go around. And you better get yours before someone else takes it.

Author, activist, and fund-raiser Lynne Twist illustrates this phenomenon exquisitely in her book The Soul of Money. She likens the scarcity narrative to a “helmet” of insufficiency that we wear throughout our day that flavors every interaction we have. For example, our first thought when getting up in the morning tends to be I didn’t get enough sleep. As we get ready for the day, we think, I don’t have enough to wear, I don’t have enough time, I don’t have enough room on the subway, I don’t have enough help to get this job done well, There aren’t enough good men or women on Tinder, I don’t have enough energy to meet up with my friends, and then our final thought before falling asleep is I didn’t get enough done. This view of not having enough is truly pervasive. It’s no wonder that the women I’ve worked with consistently communicate that they don’t feel like they can live up to their own, or society’s, expectations.

Even if we try to address the messages we might tell ourselves about what we have and don’t have, we can’t avoid them altogether. I was riding the subway to Brooklyn one day when a father and his daughter, who was all of five or six years old, entered the train and stood toward the center of the car. She was chatting to her dad about her day at school until one of the many subway ads caught her eye. In it, there were two juxtaposed photos of a blonde woman. In one photo, the woman was frowning while holding a lemon in each hand, which were hovering at chest height. In the other, she was holding two grapefruits, also at chest height, but she was grinning. “Dad, why is she happy in that one and sad in that one?” the girl asked, pointing to the ad for breast augmentation. I swear the entire subway car went silent in anticipation of how her father would respond. He awkwardly and skillfully lobbed the question back to his daughter. “Well . . . what do you think?” The girl waited a beat and then answered, “She’s happy there because she has big ones and sad there because she has small ones.”

Clearly she had understood the message this poster was communicating to us all: a message of scarcity, insufficiency, and how one might always be “better.” And in that instant I understood how conditioning works. Hello, demon of self-doubt. Just like the fish in the ocean, we’re bound to swallow the water that we swim in. When considering what it means to develop Beneficial View, and the view of our own worthiness, it can be helpful to identify why we might not feel worthy to begin with. If our cultural perspective is rooted in the myth of “not enough,” it would logically follow that we would inherit this not-so-beneficial view of ourselves. Through looking at our own mind in meditation practice, we begin to take stock of the stories and beliefs that are not serving us, unraveling this myth of “not enough,” and revealing the Beneficial View of our innate wholeness and worth.

This is an excerpt from Tea and Cake with Demons: A Buddhist Guide to Feeling Worthy by Adreanna Limbach.Tea and Cake with Demons

Adreanna LimbachAdreanna Limbach is a personal coach and a lead meditation instructor at MNDFL, NYC’s premier drop-in meditation studio. Her teachings have been featured in the New York Times, Women’s Health, and Refinery29. She lives in New York City. For more, visit adreannalimbach.com.

Buy your copy of Tea and Cake with Demons at your favorite bookseller!

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9 Ways to Build Your Village

You and I aren’t likely to experience what it’s like to raise children in an actual village, like many mothers who have come before us. But that’s okay.